December 19, 2012

You might know Andy Gilmore for his fractal geometry (or, ahem) but he also has a sketchbook. 

You might know Andy Gilmore for his fractal geometry (or, ahem) but he also has a sketchbook

Photo — 1:40pm
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December 17, 2012

Surrealist issue of Bullett magazine, featuring Elle Fanning and shot by Pierre Debusschere.

VIA

Video — 3:38pm
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December 11, 2012

What Would’ve Happened to Every Character in Freaks and Geeks’ Lost Second Season (Drugs! Pregnancies! Republicanism!)

December 3, 2012

Dolly forever. 

Dolly forever. 

Photo — 2:22pm
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November 29, 2012

Just alighted upon the resemblance of designer Greta Grossman to my own grandmother.

Just alighted upon the resemblance of designer Greta Grossman to my own grandmother.

Photo — 4:11pm
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November 15, 2012

emeco:

Emeco + Konstantin Grcic collaboration at the New Parrish Art Museum in South Hampton, NYC. Based on local materials from local manufacturers, Konstantin Grcic matches recycled aluminum and retrieved timber with the bare building. The interior installation includes tables, café and lounge chairs by Emeco, the Parrish Collection will be launched at the Milan Furniture Fair in April 2013. 

Very curious to sit in these little creatures.

emeco:

Emeco + Konstantin Grcic collaboration at the New Parrish Art Museum in South Hampton, NYC. Based on local materials from local manufacturers, Konstantin Grcic matches recycled aluminum and retrieved timber with the bare building. The interior installation includes tables, café and lounge chairs by Emeco, the Parrish Collection will be launched at the Milan Furniture Fair in April 2013. 

Very curious to sit in these little creatures.

Photo — 10:54am
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Reblogged from emeco

October 27, 2012

Frank Lloyd Wright designed this 2,500-square-foot spiral home in Phoenix for his son David in 1952. Its present state: controversial.

Frank Lloyd Wright designed this 2,500-square-foot spiral home in Phoenix for his son David in 1952. Its present state: controversial.

Photo — 10:38am
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October 23, 2012

jessicavalenti:

Eight year old girl schools Dwell magazine

Actually… that was pretty much the point of the article and Ms. Stenger here was in agreement. Olivia rules. 

jessicavalenti:

Eight year old girl schools Dwell magazine

Actually… that was pretty much the point of the article and Ms. Stenger here was in agreement. Olivia rules. 

Photo — 5:22pm
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Reblogged from jessicavalenti

October 12, 2012

Alexander Girard’s living room, circa 1951 when he was working in the textile department of Herman Miller’s Detroit office.
Via The Huntington Library’s Maynard L. Parker Collection [hat tip to Amy Auscherman!].

Alexander Girard’s living room, circa 1951 when he was working in the textile department of Herman Miller’s Detroit office.

Via The Huntington Library’s Maynard L. Parker Collection [hat tip to Amy Auscherman!].

Photo — 9:17am
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October 2, 2012

Killer outfits, killer hair, killer vibes, killer dance moves, killer beat. Solange wins again!

Video — 4:28pm
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ilovecharts:

Microsoft Logo History

LOL 1980.

ilovecharts:

Microsoft Logo History

LOL 1980.

Photo — 12:55pm
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Reblogged from abitlate

September 4, 2012

abitlate:

I contributed to this Dwell response to last week’s New York Times story on the design classics of 2050. Of course now I have many second thoughts, including the Font Clock and Hella Jongerius’s Repeat textiles.
(via Future Classics, Circa 2050? - Dwell)

Justification for aforementioned font clock: “On a smaller scale, Sebastian Wrong’s font clock for Established & Sons symbolizes to a tee the era of design since 2000. We’re living in an internet age in which typography has become a part of pop culture no longer relegated to kerning-happy designers. The Font Clock isn’t terribly expensive, and it’s quirky yet massively appealing.”

abitlate:

I contributed to this Dwell response to last week’s New York Times story on the design classics of 2050. Of course now I have many second thoughts, including the Font Clock and Hella Jongerius’s Repeat textiles.

(via Future Classics, Circa 2050? - Dwell)

Justification for aforementioned font clock: “On a smaller scale, Sebastian Wrong’s font clock for Established & Sons symbolizes to a tee the era of design since 2000. We’re living in an internet age in which typography has become a part of pop culture no longer relegated to kerning-happy designers. The Font Clock isn’t terribly expensive, and it’s quirky yet massively appealing.”

Photo — 10:29am
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Reblogged from abitlate

August 29, 2012

Pitchfork is getting into the features game with a new series called “Cover Story.” Here’s one on Cat Power. 

Pitchfork is getting into the features game with a new series called “Cover Story.” Here’s one on Cat Power

Photo — 11:07am
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August 24, 2012

The Cut delves into the 'style tribes' of Salt Lake City. In other news, I’m still intrigued by Utah. 

The Cut delves into the 'style tribes' of Salt Lake City. In other news, I’m still intrigued by Utah. 

Photo — 11:05am
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Century Theme by David
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